규수방 침대 매트리스

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=2684101081

작성기가 카메라 샷을 잡지 않았습니다 — 요구한 연출이 프롬프트에 실리지 않았습니다.

연출 반영됨 연출 지정이 없어 카메라를 지어내지 않고 폰 촬영 톤을 유지했습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — eye-level, locked-off camera, natural skin and fabric texture, available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean man in his mid-to-late 20s, athletic build, short neatly styled hair, confident and approachable demeanor. 100% match.
@Image2 — the product: a grey and white fabric-covered mattress with "GYUSOBANG" brand label on the side, modern minimalist bedroom setting. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 200 cm long and 150 cm wide, a queen-size mattress — roughly the length of an open hand laid flat repeated end to end across the bed frame, several times the span of a torso lying across it. It must never look larger than the bedroom's doorway.

LOCATION:
A cozy modern bedroom with the grey and white GYUSOBANG mattress dressed in rumpled bedding and pillows, soft morning window light falling across the fabric surface.

FIRST FRAME:
0.0s — eye-level medium framing, the person centred at medium distance, already sitting up on the edge of the mattress, one palm resting flat on its surface, looking straight into the lens mid-thought as if already talking to someone.

ACTION TIMING:
0–3s — Centred medium framing, product already held at chest or face height. He opens straight into what he wants to say — no preamble, no greeting.
3–8s — He raises the product toward the lens until it fills the middle of the frame, turns it once so the front face reads, then performs its one control: pressing his palm down once into the mattress surface with one hand, feeling it give and slowly rise back as he lifts his hand away
8–11s — The camera pushes in on the product as lying back down onto the mattress and settling his lower back into the surface where it cradles against his spine so the result is unmistakable — it stays on it rather than cutting away.
11–15s — He lowers the product back to chest height, returns to centred medium framing, looks into the lens, and taps the product twice with a fingertip. the fabric surface visibly compresses under his palm and body weight, then slowly eases back to flat within the same shot, with no strain or stiffness in how he rises from it. He lands the closing line as he does. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here.

DIALOGUE:
0–3s — "아침에 일어났는데 허리가 하나도 안 아프더라고요"
3–8s — "저 원래 아침마다 허리 뻐근했었는데 이거 쓰고 싹 사라졌어요"
8–11s — "허리가 편하니까 하루 시작이 다르더라고요"
11–15s — "허리 아프신 분들, 이거면 아침이 편해져요"

PERFORMANCE:
LINE_1 — wants to sound genuinely caught off guard by his own body; light morning stretch, eyebrows lifting slightly as if checking a fact.
LINE_2 — wants to contrast a past complaint with the present relief; a small rueful head-shake on the first half, easing into a satisfied exhale on the second.
LINE_3 — wants to hand the listener the deeper payoff, not just the symptom; sits up a little straighter, open palm gesture as if presenting the point.
LINE_4 — wants to leave the viewer with direct advice; leans slightly toward the lens-adjacent space, calm nod on the last word.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The mattress is a dense multi-layer foam core wrapped in a grey and white woven fabric cover, with the GYUSOBANG label stitched flat onto the side seam.
- It holds its shape under body weight, compressing slowly and evenly where pressed and rising back just as slowly once the weight lifts.
- The fabric cover stays taut and wrinkle-resistant across the surface, only softly creasing where a hand or body presses into it.
- NEVER: the mattress must never bounce, spring back sharply, or ripple like a trampoline — it only yields and slowly recovers.
- Scale is fixed: about 200 cm long and 150 cm wide, a queen-size mattress — roughly the length of an open hand laid flat repeated end to end across the bed frame, several times the span of a torso lying across it. It must never look larger than the bedroom's doorway. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of a quiet bedroom in the morning, the soft rustle of bedding and pillows shifting, the low compress-and-release sound of the mattress fabric under his palm and body weight, his own breathing and spoken lines carrying clearly over the quiet.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed or duplicated — anything the use moment produces came from it on camera.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout; eyes drop to the product only during the control and the use moment.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

PROPS:
rumpled bedding and pillows