맨백 엣지온 노트북 백팩

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=2048613224

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, mirror-lit UGC, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean man in his late 20s to early 30s, athletic build, short neat hairstyle, confident and healthy vibe, calm focused expression. 100% match.
@Image2 — the product: a matte black minimalist laptop backpack with a small logo/text on the upper front, zippers, and adjustable straps; no visible packaging. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 45 cm tall and 30 cm across, roughly 20-liter capacity — about two open hands stacked end to end. It must never look larger than the man's torso.

LOCATION:
an urban sidewalk with storefronts, passing traffic and pedestrians in soft natural daylight

FIRST FRAME:
0.0s — a front close-up on the bag resting on the ground, the zipper pulling open and the laptop sliding inside, the person already resting upright on the ground by its base, straps loosely gathered to one side, product raised toward the lens for its first reveal.

ACTION TIMING:
0–3s — He holds the product up to the front camera, making the first reveal. Shot as: a front close-up on the bag resting on the ground, the zipper pulling open and the laptop sliding inside
3–6s — Jump cut: he is now wearing it, adjusting where it sits with both hands: crouching down and unzipping the main compartment with one hand while the other hand guides the laptop inside, then zipping the compartment closed with a single smooth pull. Shot as: a back shot catching the moment the bag lifts onto the shoulder, camera close on the hands adjusting the strap buckle
6–9s — Cut in close to that adjustment at chest level: lifting the backpack by its top handle and settling it onto both shoulders, one hand pulling the adjustable strap tab to tighten it against the chest. The camera stays on it rather than cutting away. Shot as: a side tracking shot following the man as he walks, the camera drifting just slightly slower than his stride so the motion feels unhurried and relaxed
9–12s — Cut wide: he is walking at a steady pace down the sidewalk, his shoulders stay level and unhunched, the straps sitting flat without digging in
12–15s — He turns a quarter to the side, glances back at the fit, and turns back, ending facing the lens, one hand still resting on the strap. Shot as: a wide shot of the city street as the man walks out of frame, the backpack visible on his shoulders until he exits

DIALOGUE:
0–3s — "이 가방 메고 하루 종일 다녀봤는데요"
3–6s — "노트북 넣고 지퍼만 딱 닫으면 끝이에요"
6–9s — "어깨에 메는 순간부터 무게가 다르게 느껴져요"
9–12s — "종일 메고 걸어도 어깨가 하나도 안 눌려요"
12–15s — "이 정도면 하루 필수템 인정입니다"

PERFORMANCE:
LINE_1 — wants to pull the listener in with a lived-in claim, said with a small confident nod, eyes briefly down at the bag then back up.
LINE_2 — wants to show how easy the packing motion is, said lightly while glancing at the zipper, a faint approving exhale.
LINE_3 — reacts to an unexpected discovery, eyebrows lifting slightly, voice picking up a notch as the strap settles.
LINE_4 — delivers the core benefit plainly, a steady even tone, shoulders relaxed to show the point physically.
LINE_5 — closes with a short satisfied verdict, a half-smile, tone landing firm rather than trailing off.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- The shell is matte black woven nylon, structured enough to hold its rectangular shape even when the laptop compartment is empty.
- The zipper pulls run smooth and the teeth mesh without snagging; the straps are padded and hold their bend once adjusted, not springing back straight.
- Fabric flexes and creases naturally at the corners under the laptop's weight, but the panel never sags or bulges out of shape.
- NEVER: the backpack must never visibly deform, crumple flat, or float away from the body while worn — it holds its structured shape throughout.
- Scale is fixed: about 45 cm tall and 30 cm across, roughly 20-liter capacity — about two open hands stacked end to end. It must never look larger than the man's torso. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Just the zipper's teeth clicking open and shut, the soft thud of the laptop settling into the compartment, the strap webbing sliding through its buckle, footsteps on pavement, distant traffic and pedestrian chatter carrying under the spoken lines.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed by a second copy or duplicated — the worn state on camera comes from this same unit.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens at the reveal and at the close, with eyes shifting down during the adjustment and the close detail.
⑤ Continuity of parts and hands: if anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. This product has no separable part, so nothing is set down and nothing is expected here.

CAMERA:
Opening — a front close-up on the bag resting on the ground, the zipper pulling open and the laptop sliding inside. Then a back shot catching the moment the bag lifts onto the shoulder, camera close on the hands adjusting the strap buckle. Middle — a side tracking shot following the man as he walks, the camera drifting just slightly slower than his stride so the motion feels unhurried and relaxed. Ending — a wide shot of the city street as the man walks out of frame, the backpack visible on his shoulders until he exits. These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
a laptop