남성 메탈 손목시계

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=4598395805

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, editorial fashion film montage — composed camera moves, deliberate walking and turning, photoreal skin and fabric weight. Available light or clean studio light. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean man in his late 20s to early 30s, athletic build, short neatly styled dark hair, casual and confident bearing. 100% match.
@Image2 — the product: a men's silver stainless steel metal watch with a round dark dial, compass direction markings, silver metal link strap, crown on the side. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 4.2 cm across the case and 20 cm long including the metal link strap — roughly one and a half times the width of an adult thumb across the dial, sitting comfortably around the wrist. It must never look larger than an open hand.

LOCATION:
a dim, minimal indoor space with a single overhead spotlight and a softly blurred dark backdrop, no other furniture or objects visible.

FIRST FRAME:
0.0s — a top-down static shot in darkness as a single spotlight slowly brightens onto the watch dial, the dark face and compass markings emerging first, camera still, a Korean man in his late 20s to early 30s, athletic build, short neatly styled dark hair, casual and confident bearing standing alone in the space already resting closed in an open palm, dial facing up, wearing the product, before any movement begins.

ACTION TIMING:
0–2s — Wide establishing frame, camera still. She stands alone, then begins to move, emerging into the shot. Shot as: a top-down static shot in darkness as a single spotlight slowly brightens onto the watch dial, the dark face and compass markings emerging first
2–4s — Full-body walking or a held pose toward the lens, the camera holding as she passes close, the whole fit reading clearly head to toe. Shot as: the camera swings to a 45-degree angle and pushes into a close-up on the crown at the side of the case, timed to the sound of fingers winding it
4–7s — Cut to a macro insert on the product: using two fingers of the other hand to grip the small side crown and turn it a few clicks, the crown staying seated in the case the whole time, the weave, seam or edge filling the frame, none visible nearby if it falls in frame.
7–10s — Cut to a three-quarter or back angle as she turns, the shape and silhouette following her movement. the open metal link strap being wrapped around the wrist and the clasp pressed shut with one hand while the other steadies the case against the skin Shot as: a slow-motion side angle as the watch goes onto the wrist, framing the metal link strap curling closed around it in close detail
10–13s — Cut to a composed medium portrait, chin slightly up, plus one further detail cut that reinforces fit. the dark dial catches the spotlight and throws a sharp glint off its metal bezel and compass markings as the wrist turns to check the time
13–15s — Final hero frame: she is still, centred, the product reading clearly head to toe. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a low-angle full shot as the wrist lifts to check the time, the background held soft and out of focus throughout

DIALOGUE:
0–2s — "와, 이거 또 물어보시네요."
4–7s — "시계 하나 찼다고 다들 어디서 샀냐고 그래요."
7–10s — "만나는 사람마다 똑같이 물어봐서 저도 신기하더라고요."
13–15s — "이 정도면 이유가 있는 거겠죠."

PERFORMANCE:
LINE_1 — genuine amusement at how often this happens, a small breathy laugh and a slight shake of the head — LINE_2 — matter-of-fact recounting, delivered with a shrug and a half-smile, eyes flicking down to the watch — LINE_3 — mild wonder building as he speaks, brows raising slightly, voice lifting a touch on "신기하더라고요" — LINE_4 — settled, quiet confidence, a short nod and a faint satisfied smile as the line lands
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Solid stainless steel case and link strap, cold and rigid, catching light along its brushed and polished edges
- The metal link band flexes only at its joints, settling and conforming to the wrist's curve, not stretching
- The crown clicks and turns with small, discrete mechanical increments, a faint metallic ticking as it winds
- NEVER: the metal case or strap must never bend, warp, or flex like rubber or fabric
- Scale is fixed: about 4.2 cm across the case and 20 cm long including the metal link strap — roughly one and a half times the width of an adult thumb across the dial, sitting comfortably around the wrist. It must never look larger than an open hand.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone in a quiet, close indoor space, the soft mechanical click and faint winding tick of the crown turning, the light metallic clink of the link strap closing around the wrist, and the spoken lines carrying clearly over all of it.

LOCKS:
① Exactly one product: one unit only, worn from the first frame. It is never handed over, unboxed, revealed or duplicated — it stays on her body throughout, the same single unit in every cut.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: never to-lens; she looks past or beyond the camera throughout, absorbed in movement and pose rather than addressing the viewer directly.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a top-down static shot in darkness as a single spotlight slowly brightens onto the watch dial, the dark face and compass markings emerging first Opening — the camera swings to a 45-degree angle and pushes into a close-up on the crown at the side of the case, timed to the sound of fingers winding it Middle — a slow-motion side angle as the watch goes onto the wrist, framing the metal link strap curling closed around it in close detail Ending — a low-angle full shot as the wrist lifts to check the time, the background held soft and out of focus throughout These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none