에스콰이아 스니커즈

지마켓 실제 상품 — https://item.gmarket.co.kr/Item?goodscode=493474446

골격 기본 register 를 그대로 두고 샷만 얹었습니다.

연출 반영됨 요구한 카메라가 샷 4개로 프롬프트에 실렸습니다

요청한 페르소나 사진이 영상 생성 호출에 그대로 실렸습니다.

STYLE:
Vertical 9:16, photoreal phone footage — handheld, natural micro-shake, spontaneous reframing, real skin and fabric weight. Available light only. No on-screen text, no graphics of any kind.

Pore-level skin realism — visible pores, fine vellus hair, natural asymmetry in the face and hands. Skin stays unsmoothed and unretouched; part of the face is allowed to fall into shadow.
Matte, non-reflective surfaces. Lived-in, worn materials with real wear on them. No plastic sheen, no digital gloss.
Hair keeps individual strands and stray flyaways rather than a moulded shape.
This is a real person filmed on a phone, not a rendered portrait.

REFERENCES:
@Image1 — the person: a Korean man in his late 20s to early 30s, short black hair, athletic build, neat and composed demeanor. 100% match.
@Image2 — the product: black slip-on low-top sneakers, fabric/suede-like upper material, visible stitching detail, side-panel logo kept exactly as shown in reference photos, no added text. 100% match; every word, logo and label exactly as the reference.

Scope — @Image1 carries appearance AND performance: it is also how this person holds themselves. @Image2 carries appearance ONLY — no pose, no motion, no performance. @Image3 and beyond (further angles of the same product, or this person's face close-up) carry appearance only. No reference contributes a scene, a camera move or a spoken line, and where a reference and this prompt disagree about what happens, this prompt decides.

Real-world size — about 27 cm long, 10 cm tall and 10 cm wide — roughly one and a half times the length of an adult palm, sitting easily in one hand when held by the heel. It must never look larger than a forearm.

LOCATION:
a lively urban sidewalk with storefronts, passing traffic and pedestrians in the background, under natural daylight.

FIRST FRAME:
0.0s — a low-angle shot catching the foot stepping into frame, cutting to slow motion exactly as the sole touches the ground, the person already holding the sneaker by its heel with one hand, upper facing outward, looking into the lens mid-thought as if starting a message to a friend.

ACTION TIMING:
0–2.5s — Selfie framing, the person holds the product up to the lens with both hands, using both hands to pull the fabric collar open and slide his foot in, then reaching down to tighten and tie the laces with both hands, no separate part removed Shot as: a low-angle shot catching the foot stepping into frame, cutting to slow motion exactly as the sole touches the ground
2.5–4s — Her hand sweeps across the lens; when it clears she is already wearing the product, cut hidden inside the sweep.
4–6.5s — She stands back into a wider frame, steps once toward camera, then shifts her weight onto one foot, revealing walking and pushing off the ground with the sole so the flexible upper bends naturally at the toe with each step and jump
6.5–9s — The camera drops to her feet as she turns them side to side, weight shifting, proving the fit in a lively urban sidewalk with storefronts, passing traffic and pedestrians in the background, under natural daylight.. Shot as: a 360-degree tracking shot circling the sneaker, ending in a close-up on the fabric texture
9–11s — Tight close-up on after walking, jumping and landing repeatedly in the same continuous shot, his stride and posture stay relaxed and even, with no limping, wincing or shifting weight off either foot., held steady before pulling back. Shot as: a front full-shot handheld camera catching the person jumping in the sneakers, with a slight handheld shake on landing
11–15s — She steps back up into a centred standing pose, one foot slightly forward, the product held in frame as her hero pose. She lands the closing line into the lens. If anything came off the product at any point — cap, lid, seal, film, wrap, zip pull, band — it is still resting exactly where it was set down, visible in this frame; if the product has no separable part, nothing is set down and nothing is expected here. Shot as: a macro shot of hands tying the laces, finishing with a focus pull onto the side-panel logo

DIALOGUE:
0–2.5s — "어? 신었는데 발이 하나도 안 아프네요."
2.5–6.5s — "이거 신고 하루 종일 돌아다녔는데, 저녁까지 발이 멀쩡하더라고요."
6.5–9s — "보세요, 이 소재 진짜 부드럽죠."
9–15s — "이 정도면 하루 종일 신을 신발로 딱이에요."

PERFORMANCE:
LINE_1 — genuine mild surprise at the first step, eyebrows lifting slightly, a quick downward glance at his own foot.
LINE_2 — casual, confiding recap to the listener, a small easy shrug as if reporting something he didn't expect, voice staying relaxed not excited.
LINE_3 — inviting the listener to look with him, tilting the shoe slightly toward camera, fingers brushing the fabric once.
LINE_4 — settled, satisfied conclusion, a small nod and the faintest smile, said like closing a thought rather than selling one.
Gaze stays engaged and alive the whole way through, with a natural blink cadence and active forehead and brows. No frozen mask-face, no dead eyes, no held stare parked between lines. Micro-motion continues while the person is not speaking — breathing, a small shift of weight, a glance.

PHYSICS:
- Upper is a soft fabric/suede-like material with visible stitching along the seams, no rigid parts except the thin sole edge.
- The slip-on shape flexes with the foot, creasing softly at the toe bend when stepped into or jumped in.
- Side-panel logo is a flat, stitched or printed mark that stays rigid and unchanged in shape as the fabric around it moves.
- NEVER: the upper must never look hard, glossy or plastic-like, or hold a stiff unbending shape when flexed.
- Scale is fixed: about 27 cm long, 10 cm tall and 10 cm wide — roughly one and a half times the length of an adult palm, sitting easily in one hand when held by the heel. It must never look larger than a forearm.. No framing, however close, ever makes it read bigger than that

AUDIO:
No music. Room tone of the open sidewalk, distant passing traffic and footsteps of pedestrians, the sneaker's fabric and sole sounds — a soft scuff on pavement, a faint tap on landing from the jump, the small rustle of laces being tightened — with the spoken lines sitting clearly on top as the loudest element.

LOCKS:
① Exactly one product: one unit only, present from the first frame. It is never handed over, unboxed, revealed as a duplicate, or multiplied — the worn pair on camera is the same single unit shown in hand at 0s.
② Product surface text lock: print, logo and label exactly as @Image2. Nothing is ever printed onto it.
③ Only the person, the product and what PROPS names are what the shot features; the location's own fixtures and furniture may be present but stay unbranded and out of focus. No other brand's product, packaging, logo or readable mark appears anywhere, and no second person enters.
④ Lens gaze: to-lens throughout the hand-held intro and the closing hero pose; eyes drop to the product only during the rotation, the wear reveal and the foot-turn close-up.
⑤ Continuity of parts and hands: **if** anything comes off the product — a cap, a lid, a film, a wrap, a zip pull, a band — it stays visible somewhere in frame for the rest of the clip and is never re-attached, re-sealed or allowed to vanish between shots. Many products have no separable part at all; for those this clause simply does not apply and nothing is expected to be set down. The hands obey the same continuity either way: a control that needs two hands is not performed while one hand is holding something else.

CAMERA:
Opening — a low-angle shot catching the foot stepping into frame, cutting to slow motion exactly as the sole touches the ground Middle — a 360-degree tracking shot circling the sneaker, ending in a close-up on the fabric texture Middle — a front full-shot handheld camera catching the person jumping in the sneakers, with a slight handheld shake on landing Ending — a macro shot of hands tying the laces, finishing with a focus pull onto the side-panel logo These shots make up the clip's coverage — the camera changes between them inside the single take, and each supersedes the register above for its own seconds.

PROPS:
none